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	<title>backdoor productions</title>
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	<description>Comments and writings about Contemporary Arts and Cultures and Politics, no more no less..</description>
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		<item>
		<title>Art and the financial crisis</title>
		<link>http://backdoorprod.wordpress.com/2010/01/06/art-and-the-financial-crisis/</link>
		<comments>http://backdoorprod.wordpress.com/2010/01/06/art-and-the-financial-crisis/#comments</comments>
		<pubDate>Wed, 06 Jan 2010 17:28:01 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[The financial crisis that started for full in 2007, has in many ways left the art market in a limbo. The art bubble of the noughties has burst and it is very unlikely that the contemporary art world as we have known it post 1989 will ever be the same again. However, just as the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=227&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<item>
		<title>For Real</title>
		<link>http://backdoorprod.wordpress.com/2007/06/01/space-reserved-for-nothing/</link>
		<comments>http://backdoorprod.wordpress.com/2007/06/01/space-reserved-for-nothing/#comments</comments>
		<pubDate>Fri, 01 Jun 2007 13:01:06 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[&#8220;This isn&#8217;t some kind of metaphor. Goddam this is real!&#8221; Shellac &#8220;The Squirrel song&#8221;<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=211&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>The Closure of Critique</title>
		<link>http://backdoorprod.wordpress.com/2007/05/31/the-closure-of-critique/</link>
		<comments>http://backdoorprod.wordpress.com/2007/05/31/the-closure-of-critique/#comments</comments>
		<pubDate>Thu, 31 May 2007 22:47:56 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Contract]]></category>
		<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Critique]]></category>
		<category><![CDATA[Liberal]]></category>
		<category><![CDATA[Liberalism]]></category>
		<category><![CDATA[Neo]]></category>
		<category><![CDATA[Norwegian]]></category>
		<category><![CDATA[Pseudo]]></category>
		<category><![CDATA[Science]]></category>

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		<description><![CDATA[I artikkelen &#8220;The closure of Critique: embedding the new regime,&#8221; beskriver Jane Kelsey de dramatiske samfunnsendringene som har skjedd i New Zealand fra midten av 80-tallet og opp til i dag. I løpet av denne perioden gjennomgikk New Zealand endringer, som av politiske forvaltere, blir definert som såkalte &#8216;structural adjustments&#8217; eller strukturelle endringer men som [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=210&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>The Long Weekend, Tate Modern, Maya Deren/Ikue Mori</title>
		<link>http://backdoorprod.wordpress.com/2007/05/31/the-long-weekend-tate-modern-maya-derenikue-mori/</link>
		<comments>http://backdoorprod.wordpress.com/2007/05/31/the-long-weekend-tate-modern-maya-derenikue-mori/#comments</comments>
		<pubDate>Thu, 31 May 2007 22:41:41 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[00's]]></category>
		<category><![CDATA[Avantgarde]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Friday]]></category>
		<category><![CDATA[Long]]></category>
		<category><![CDATA[Modern]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Repetition]]></category>
		<category><![CDATA[Rythm]]></category>
		<category><![CDATA[Surreal]]></category>
		<category><![CDATA[Tate]]></category>
		<category><![CDATA[Weekend]]></category>

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		<description><![CDATA[<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=209&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<item>
		<title>The Art field and its narratives.</title>
		<link>http://backdoorprod.wordpress.com/2007/04/28/the-arts-field-and-its-narratives/</link>
		<comments>http://backdoorprod.wordpress.com/2007/04/28/the-arts-field-and-its-narratives/#comments</comments>
		<pubDate>Sat, 28 Apr 2007 12:23:21 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Cliche]]></category>
		<category><![CDATA[Duchamp]]></category>
		<category><![CDATA[Duchampian]]></category>
		<category><![CDATA[Field]]></category>
		<category><![CDATA[Narrative]]></category>
		<category><![CDATA[Repetition]]></category>

		<guid isPermaLink="false">http://backdoorprod.wordpress.com/2007/04/28/the-arts-field-and-its-narratives/</guid>
		<description><![CDATA[What often exhausts me about the art field, are the same narratives being played, recited and repeated again and again. As they keep being repeated, they have already become cliches. But still, the art world cannot do without them. There&#8217;s the narrative of modernism, the impure ideas of postmodernism following the great paradigm shift in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=101&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>The independent curator</title>
		<link>http://backdoorprod.wordpress.com/2007/03/28/the-independent-curator-and-the-artist/</link>
		<comments>http://backdoorprod.wordpress.com/2007/03/28/the-independent-curator-and-the-artist/#comments</comments>
		<pubDate>Wed, 28 Mar 2007 16:27:02 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[1960's]]></category>
		<category><![CDATA[1970's]]></category>
		<category><![CDATA[1990's]]></category>
		<category><![CDATA[Action]]></category>
		<category><![CDATA[Artist/Curator]]></category>
		<category><![CDATA[Artistic genius]]></category>
		<category><![CDATA[Curator/Artist]]></category>
		<category><![CDATA[Detached]]></category>
		<category><![CDATA[Dimension]]></category>
		<category><![CDATA[Fluxus]]></category>
		<category><![CDATA[Independent]]></category>
		<category><![CDATA[Ironic]]></category>
		<category><![CDATA[Jaded]]></category>
		<category><![CDATA[Networking]]></category>
		<category><![CDATA[Networks]]></category>
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		<category><![CDATA[Relational]]></category>
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		<description><![CDATA[One of my interest deals with the relationship between the artist and the curator. I am not so much thinking about the more traditional Curator who works for an established Museum or Gallery even though one undoubtedly can notice big changes within the established art sphere as well. I am mainly thinking about a particular [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=78&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Appropriation, simulation and dystopia. Margaret Atwood&#8217;s &#8220;Oryx and Crake&#8221;</title>
		<link>http://backdoorprod.wordpress.com/2007/03/28/appropriation-simulation-and-dystopia-margaret-atwoods-oryx-and-crake/</link>
		<comments>http://backdoorprod.wordpress.com/2007/03/28/appropriation-simulation-and-dystopia-margaret-atwoods-oryx-and-crake/#comments</comments>
		<pubDate>Wed, 28 Mar 2007 16:23:45 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Appropriation]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Dystopia]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Futuristic]]></category>
		<category><![CDATA[Novel]]></category>
		<category><![CDATA[Simulation]]></category>
		<category><![CDATA[Utopia]]></category>

		<guid isPermaLink="false">http://backdoorprod.wordpress.com/2007/03/28/appropriation-simulation-and-dystopia-margaret-atwoods-oryx-and-crake/</guid>
		<description><![CDATA[In her book, &#8220;Oryx and Crake&#8221;, Margaret Atwood writes about a utopic world that tells the story of Snowman or Jimmy, as he used to be called, and the way he witness his best friend Crake&#8217;s biotechnological master plan of altering all life and how it became a reality. The first part tells about Jimmy&#8217;s [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=77&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Lovesick essay</title>
		<link>http://backdoorprod.wordpress.com/2007/03/21/lovesick-essay/</link>
		<comments>http://backdoorprod.wordpress.com/2007/03/21/lovesick-essay/#comments</comments>
		<pubDate>Wed, 21 Mar 2007 18:49:33 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Curator]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Gallery]]></category>
		<category><![CDATA[Happening]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Interdisciplinary]]></category>
		<category><![CDATA[Lovesick]]></category>
		<category><![CDATA[Nothing]]></category>
		<category><![CDATA[Past]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Projects]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://backdoorprod.wordpress.com/2007/03/21/lovesick-essay/</guid>
		<description><![CDATA[Picture shows detail of screen shot from Monika Ross work for Lovesick &#8220;Acts of Love&#8221; at Landmark, Bergen Kunsthall. lovesick was an exhibition addressing the theme of love in contemporary art. Love was here not only understood as something elating to emotions between men and women. In this exhibition the topic were dealt with in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=49&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Lovesick</title>
		<link>http://backdoorprod.wordpress.com/2007/03/21/lovesick/</link>
		<comments>http://backdoorprod.wordpress.com/2007/03/21/lovesick/#comments</comments>
		<pubDate>Wed, 21 Mar 2007 18:45:06 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Curator]]></category>
		<category><![CDATA[Desire]]></category>
		<category><![CDATA[Despair]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Dirt]]></category>
		<category><![CDATA[Emotions]]></category>
		<category><![CDATA[Eroticism]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Feelings]]></category>
		<category><![CDATA[Gallery]]></category>
		<category><![CDATA[Happening]]></category>
		<category><![CDATA[Immaterial]]></category>
		<category><![CDATA[Impure]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Interdisciplinary]]></category>
		<category><![CDATA[Longing]]></category>
		<category><![CDATA[Love]]></category>
		<category><![CDATA[Loveland]]></category>
		<category><![CDATA[Lovesick]]></category>
		<category><![CDATA[Nothing]]></category>
		<category><![CDATA[Past]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Video]]></category>

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		<description><![CDATA[lovesick took place in Bergen, Norway, Opening in Bergen Kunsthall &#8211; Bergen Contemporary Art Centre on the 12th of October, 2001 and closed the 4th of November same year. In addition to the exhibition in Bergen Contemporary Art Centre&#8217;s foyer and two rooms, Lovesick also featured a performance programme for Landmark.The exhibition furthermore appeared in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=48&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Gallery døgnfluen, 2000 (Midlertidig leilighetsgalleri/Temporary artgallery)</title>
		<link>http://backdoorprod.wordpress.com/2007/03/21/gallery-d%c3%b8gnfluen/</link>
		<comments>http://backdoorprod.wordpress.com/2007/03/21/gallery-d%c3%b8gnfluen/#comments</comments>
		<pubDate>Wed, 21 Mar 2007 18:34:34 +0000</pubDate>
		<dc:creator>backdoorprod</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Curator]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Happening]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Interdisciplinary]]></category>
		<category><![CDATA[Past]]></category>
		<category><![CDATA[Projects]]></category>

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		<description><![CDATA[Døgnfluen was situated in a narrow dead end street, Nygård, Bergen. Each week new banners were made. The picture above shows the banner used for the opening of the gallery the 26th of April 2000. Photo: Arne Rygg. Bannerwork by Lotte Evensen and Jørgen Ørevik. Døgnfluen (ephemeral) was a temporary gallery that lasted six Fridays [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=backdoorprod.wordpress.com&amp;blog=896234&amp;post=46&amp;subd=backdoorprod&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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